长沙爱晚亭导游词英语 篇6

　　AI Wan pavilion was first built in 1792, the 57th year of Qianlong reign ofQing Dynasty. It was founded by Luo Dian, the head of Yuelu Academy, a scholarand educator at that time. In the past, Fenglin was all over Qingfeng gorge, soLuodian named the pavilion "Hongye Pavilion", also known as "Aifeng Pavilion".Later, the governor of Huguang, Bi Yuan, felt that the scenery there was verysuitable for Du Mu's poem "a trip to the mountains" of the Tang Dynasty, so herenamed it "Ai Wan Ting".

　　Far up the cold mountain, the stone path is inclined, and there are peoplein the depths of the white clouds;

　　Park and sit in maple forest at night, frost leaves are red in Februaryflowers.

　　Indeed, in late autumn, the top of Yuelu Mountain is shrouded in clouds andmist, and the maple trees around aiwan pavilion are as red as fire and gorgeousas blazing, which vividly expresses the artistic conception of the poem.

　　At this moment, I can see the panorama of aiwan Pavilion. It sits in theWest and faces east, surrounded by towering green mountains and jagged rocks. Itis surrounded by streams on the left and right, with mountains, trees, streamsand stones flowing.

　　Aiwan Pavilion is a typical Chinese classical pavilion with a sharp top. Ithas two sets of roofs; it is called "double eaves", which is vigorous; its roofadopts four inclined ridges, which is called "four drapes", which shows thebeauty of being steady and dignified; the sharp roof makes the pavilion have akind of centripetal cohesion. All of these are the embodiment of Confucianism inancient architecture, such as emphasizing "reason", "standing on one's own",emphasizing "golden mean" and "great unification" in Chinese traditionalculture. At the same time, the eaves angle of the pavilion is concave curveupward, which makes the original heavy and sinking pavilion have a lively andelegant feeling. Together with Danzhu Biwa, Baiyu guardrail and painted caisson,the ancient beauty of this century old Pavilion is fully displayed.

　　Aiwan Pavilion is not only a place of historic interest, but also a holyland of revolution. In his youth, when he was studying and working in Hunan No.1Normal University, Comrade Mao Zedong often went to aiwanting together with CaiHesen, Luo xuezan, Zhang kundi and other close friends to "point out rivers andmountains, encourage writing", sometimes even all night. Old man Zhou Shizhao, amember of Xinmin society at that time, recalled this period of time. He wrote apoem "walking on Shakespeare in autumn, visiting the love Pavilion in theevening"

　　Bijian sound Qin, red forest for painting, a mountain autumn more naturaland unrestrained. In order to find the past, I went to fangting to pick upyingfengyi school.

　　When you are in the mountains, you are worried about the world. You cancount on the hurdles and spend the night. We should write the history from thebeginning.

　　Because of this, when the pavilion was rebuilt in 1952, Li Da, thenpresident of Hunan University, asked Chairman Mao to inscribe the pavilion.Chairman Mao happily wrote down the three characters "Ai Wan Ting", which is theplaque on the lintel of the pavilion.

　　At the moment, you can see a couplet on the pavilion column: "the mountainpath is red and comfortable at night, and five hundred young peaches are new;the gorge clouds are deep and green, and a pair of tamed cranes are waiting tobe caged." This is the title of Luo Dian, the builder of AI Wan Pavilion. Itshows the style of AI Wan Pavilion at that time.